(October 14, 2021, Beijing) Duanmu Liangjin joined hands with Chinese supermodel Ma Yanli to dress up and release the Jin Tang BMW theme silk scarf, officially opening the "Women, See China" silk scarf series to explore the journey of women's beauty. As a top handbag brand originating from China, Duanmu Liangjin is devoted to the research and development of silk scarves product series while sticking to the creation of handbags. In the word sequence of Duanmu Liangjin's creation, silk scarves, as a product that can carry a purer picture expression, can freely carry Chinese aesthetic themes and draw the purest picture in the ideal. This season's Jin and Tang BMW theme silk scarves are created by Duanmu Liangjin deriving elements from Chinese classical artworks, which took two years and 300,000 strokes. In the square inch silk scarf, with fine design and flowing colors, it vividly reproduces the Chinese horse, the aesthetic symbol that once gave China about beauty, creation, and extravagant imagination. (BMW theme silk scarf in Jin and Tang dynasties-Fallen powder) (Jin and Tang BMW Theme Scarf-Jiyue White) (BMW theme silk scarf in Jin and Tang Dynasties-Yunxiaqing) Take back the right to interpret Chinese culture and reproduce the height of China This season, the Jin and Tang dynasty BMW theme silk scarves chose "horse" as the creative symbol, which originated from the strong emotion rooted in the blood of the Chinese people for thousands of years. When Emperor Wu of the Han Dynasty named wolves to live in Xu and fight against the enemy in Mobei, Emperor Xuan of the Han Dynasty set the Hu monument and left for later generations "every sun and moon, rivers and rivers, all belong to the Han soil", and then to Li Jing to raid thousands of miles to wipe out the Turks and create The prosperous atmosphere of Wan Guolaiyi, behind the majestic cavalry horses, used to be the totem of the Chinese era and the sustenance of the feelings of the great power; but the Song Dynasty failed repeatedly in the Northern Expedition, and eventually retreated to the south of the Yangtze River. In the Ming Dynasty, the Great Wall was rebuilt to resist the Huns cavalry. The lack of war horses once again eclipsed the dynasty, and horses have become an itchy and painful dream of the Chinese nation. The rise and fall of the Central Plains dynasty, the pride and decline of the people, are all tied to the horse. Qi Tian, ​​founder of Duanmu Liangjin, immersed in the creation of silk scarves This bond of family and country emotions has made Chinese people a nation that loves and understands horses, and has nurtured countless artistic creations and aesthetic expressions about horses. In the eyes of Qi Tian, ​​the founder of Duanmu Liangjin, ancient Chinese horse culture creation is ahead of any kind of cultural form. "Making horses as independent individuals to create and endow them with personality is the unique aesthetic advantage of Chinese horse culture. ". With this cultural confidence in mind, when he was attracted by the aesthetic heights of the two Northern Qi painted pottery horses in the catalogue of Chinese pottery figurines lost overseas, he was extremely saddened by the aesthetics that best represented the heights of Chinese aesthetics. Due to the loss of works overseas, the Chinese people lack a truly high level of understanding of traditional Chinese aesthetics. Since then, Qi Tian, ​​who is also the chief designer of Duanmu Liangjin, has inspired to use brushes to reproduce the imagination of Chinese people's culture and beauty lost because of the times, and to regain the concept of Chinese cultural interpretation. Is the first seed. (Scarf with BMW theme in Jin and Tang Dynasties) Amidst the neighing horses, reappearing Huihe’s aesthetics in the Jin and Tang dynasties In Qi Tian's view, compared to the depiction of horses in Western art works, they are often bound to the heroic image of their masters, and lack the creative expression of horses alone. Chinese art works endow horses with more personality traits such as posture, emotion, and posture. , The overall aesthetic expression is more vivid and more lively. The Jin-Tang BMW theme silk scarf is based on this design. From the large collection of more than 100 museums at home and abroad, eight of the most representative horse sculptures were selected as prototypes. They have many varieties, either the sweaty BMW with handsome bones, or the Central Plains horses with rounded edges and corners; they have different postures, or run in the air, stop for a rest, or scream up to the sky; they are full of emotions, or shy, or deep, Or majestic and majestic, showing the most delicate and rich emotions in Chinese classical aesthetics to the fullest. (Detailed drawing of Jin and Tang BMW silk scarves) More importantly, the ancient Chinese, especially the aristocracy, paid special attention to giving the horse a gorgeous coat. In the drape of eight BMWs from Jin and Tang Dynasties, there are beautifully decorated tassels or bells, cowhide reins decorated with gilt parts, and even the "barriers" that are cushioned under the legs to insulate the clothes and pants from dirt are cut with brocade. , It shows the exquisite and gorgeousness in the prosperous Tang Dynasty. In addition, the Jin and Tang BMW silk scarves also add polo elements that are quite popular among the nobles in the Tang Dynasty. Ball sticks made of precious materials are inlaid with precious stones, coral or tortoiseshell ivory, and even gold and silver. The posture and drape of each horse is as if neighing the most gorgeous and quintessential chapter in the aesthetics of the Jin and Tang Dynasties. Blending modern fashion, regaining the blood of classical aesthetics While reproducing the height of classical aesthetics, Duanmu Liangjin puts the focus of thinking on its combination with modern fashion expression. Based on the contradiction between the ancient linear composition and the square shape of the modern silk scarf, Duanmu Liangjin draws on the wisdom of Chinese classical art scatter perspective, cleverly adopts the stacked layout in the picture composition, and supplements the boxes, cabinets and polo of the Tang Dynasty. And other elements make the picture more three-dimensional, and at the same time, let each horse present a different posture of looking down or looking up from a different perspective, giving the look and feel of clever fun. In the color of the picture, Duanmu Liangjin selects the three color combinations that best fit the popular glaze colors of the Tang Dynasty. It is softly processed with modern popular colors, so that it not only conforms to the current popular visual aesthetics, but also has a certain color flow. The sense of mixing and fluidity of Dysprosium realizes the harmony between reality and art, classical and modern. ​ Since the establishment of the brand, Duanmu Liangjin has always insisted on carrying out saturated and profound "oxygen content" exchanges between ancient and modern times with a calm frequency, so that the ancient Chinese aesthetics body is full of blood. Qi Tian, ​​the founder of Duanmu Liangjin believes, "In the world competition of classical aesthetics, the Chinese have set countless records. The source of Duanmu Liangjin’s expression is to race against those glorious records and use more vivid power. , Leading at full speed. The aesthetic record created by the Chinese should be broken by the Chinese." The Chinese horse is such a symbol that once reached the peak of aesthetics. In the future, more classical aesthetic elements will be rediscovered and vividly reproduced in Duanmu Liangjin's works. Monk-Strap Casual Shoes,Leather Casual Dress Shoes,Monk Strap Men Leather Shoes,Men'S Leather Sole Casual Shoes GUANGZHOU ANAX FASHION SHOES LIMITED , https://www.gzanaxleathershoes.com
October 13, 2024