This time, JIWENBO, which focuses on Chinese culture, has set its sights on Europe. It has infused Baroque styles, European-style ruffles and lantern sleeves into Chinese costumes, continuing its iconic Chinese design, with clean lines and gorgeous lines. The fabric presents a fashion show that collides and blends with the culture of things.

It is composed of black ink, blush, red tea and rock gray. The main color of this season, delicate and beautiful brocade, sequins, embroidery and other outlines of Baroque elements, coupled with Chinese-style carved window-like printing, will push JIWENBO's unique design aesthetics The ultimate.

In this series, the designer finds a balance between the independence and interdependence of the single product, and the overall emphasis on the casual combination, highlighting the rational and emotional interlacing side of urban men and women.

In order to highlight the feminine lines of women, JIWENBO uses a slim fit in the series, a three-dimensional belt on the waist, or a waistline with a cut to depict the female figure of Yan Tingna with a clear outline of the costume.

In terms of men's wear, it breaks through the limitations of the traditional three-piece suit. It not only adds oriental elements such as buckles, but also boldly chooses fabrics such as gold velvet, satin and woolen to provide more choices for men's formal wear.

When the model fish came out and appeared on the runway in an unstoppable manner, it was a scene of classical Chinese and Western aesthetics. The sleek skirt flutters at the pace, and the sequined sequins shine and shine together to form a vivid and awkward visual reward.

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